EL VITO OBRADORS PDF

Composer: Fernando J. Obradors () Teresa Berganza, soprano; Felix Lavilla, piano. Aix-en-provence festival 18 July El Vito. El vito is a traditional folk song and dance music of Andalusia whose origins can be traced back to the 16th century. Its name refers to the “disease” known as St. Fernando (Ferran) Jaumandreu Obradors (–) was a Spanish composer . Obradors His orchestral work “El Poema de la Jungla” is inspired by The Jungle Book stories by Rudyard Kipling. Many of his contemporaries left Spain to .

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Then there is a break in the dance again when the piano has its little interlude. Berganza’s performance of the Obradors could not be more dynamic, and I love the nonchalant way she presents this difficult song.

Teresa Berganza does this perfectly, beautifully, and with dramatic intent. Emma Lynn April 8, at 5: I want to learn this piece! Teresa Berganza, as always, perfectly exemplifies this style. The relatively lenghty prelude is really carried by the repeated notes in vigo piano. Although the piano version is exciting, pianists should really emulate the guitar which it is obviously modeled after.

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It is such an effective performance. The pianist in the performance did obardors excellent job of emulating a guitar with rhythmic clarity and precision. The ease in which she performed all aspects of this song was so entertaining.

The pianist did a great job in making each note speak such that there was a lot of energy from the piano part. Amalia Osuga April 6, at 9: The piano prelude made me think of Lara’s Granada. Julie April 2, at 2: I love this piece and have Sierra’s sparkling eyes in mind as I was listening.

Katalin April 7, at 2: Yoshi April 10, at 9: Ednaldo Borba April 12, at 1: Some of the runs sound more pianistic than guitaristic, but the majority of the writing definitely sounds guitar inspired. Another thrilling piece that keeps you on the edge of your seat!

Canciones Clásicas Españolas, Vol.3 (Obradors, Fernando)

Vincent April 10, at 8: I love the piano’s role with the repeated notes. Katherine Curtis April 10, at 8: The piece is very atmospheric and has the feeling of being in the tavern, as is the origin of the piece.

I love the, as Abby put it, crispness of this piece and I love the way it exists intimately with the passion. It was playful without feeling affectated. Thank you for posting it for us. That is when the dance really begins.

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That was immediate impression I got after hearing this recording. Emily April 7, at 8: The line about her being too poor is especially effective with the use of staccato. Somehow Theresa Berganza sings this with a sense of relaxed ease, you e see it in her body and hear it in her voice. The guitar figures are apparent in the piano accompaniment.

Fernando Obradors – Wikipedia

Le exciting when the images are so clear from listening to a piece. A driving, perpetual introduction, a vocal line that is very dance-like as well as seductive. It looks so fun to perform. It reminds me of Flamenco music, and I can see her move her shoulders slightly as if she’s controlling herself from breaking into Flamenco dancing.